Film copyright in the European Union / Pascal Kamina. electronic resource

By:

Kamina, Pascal

Material type: Text

TextSeries: Cambridge studies in intellectual property rightsPublication details: Cambridge, UK ; New York : Cambridge University Press, 2004.Description: 1 online resource (xxvii, 431 pages)Content type:

text

Media type:

computer

Carrier type:

online resource

ISBN:

051104075X
9780511040757
0511049358
9780511049354
051117683X
9780511176838
9780521770538
052177053X
9780511495250
0511495250

Subject(s):

Additional physical formats: Print version:: Film copyright in the European Union.DDC classification:

346.410482 22

LOC classification:

KJE2690 .K36 2002eb

Other classification:

86.33

Online resources:

Available to Stanford-affiliated users. Click here to download

Contents:

Cover; Half-title; Series-title; Title; Copyright; Contents; Foreword; Preface; Acknowledgments; Abbreviations; 1 Introduction; 2 The history of film protection in Europe; 3 Subsistence of copyright; 4 Authorship and initial ownership; 5 Copyright transfers and authorial rights; 6 Exclusive rights; 7 Exemptions and permitted acts; 8 Moral rights in films; 9 Performers' rights; 10 Protection of foreign film works; Appendix 1: A basic guide to the European Union; Appendix 2: Principal national copyright legislation; Appendix 3: EC copyright directives.

Summary: In the first book on this subject, Kamina analyses film protection in the fifteen member states of the EU, with emphasis on Britain and France. He addresses key aspects of film copyright, including the protection of film works within the EU in the context of European harmonization of copyright laws.

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Holdings
Item type	Current library	Collection	Call number	URL	Status	Date due	Barcode	Item holds
e-book	KNCHR Library SharePoint	Non-Fiction	KJE2690 .K36 2002eb (Browse shelf(Opens below))	Link to resource	Available

Total holds: 0

Includes bibliographical references and index.

In the first book on this subject, Kamina analyses film protection in the fifteen member states of the EU, with emphasis on Britain and France. He addresses key aspects of film copyright, including the protection of film works within the EU in the context of European harmonization of copyright laws.

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