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The internationalisation of copyright law : books, buccaneers and the black flag in the nineteenth century / Catherine Seville.

By: Material type: TextTextSeries: Cambridge studies in intellectual property rightsPublication details: Cambridge ; New York : Cambridge University Press, 2006, [2009 printing]Description: xv, 354 p. ; 24 cmISBN:
  • 0521868165 (hardback)
  • 9780521868167 (hardback)
Subject(s): DDC classification:
  • 346.04/8209 22
LOC classification:
  • K1420.5 .S48 2006
Online resources:
Contents:
Table of cases; Table of statutes; Table of abbreviations and archive sources; 1. Introduction; 2. International copyright: four interconnected histories; 3. Towards the Berne Union; 4. Colonial challenges; 5. The independence of America; 6. Domestic problems; 7. The colours of cyberspace
Summary: Technological developments have shaped copyright law's development, and now the prospect of endless, effortless digital copying poses a significant challenge to modern copyright law. Many complain that copyright protection has burgeoned wildly, far beyond its original boundaries. Some have questioned whether copyright can survive the digital age. From a historical perspective, however, many of these 'new' challenges are simply fresh presentations of familiar dilemmas. This book explores the history of international copyright law, and looks at how this history is relevant today. It focuses on international copyright during the nineteenth century, as it affected Europe, the British colonies (particularly Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical evidence. Copyright law has proved itself robust and flexible over several centuries. If directed with vision, Seville argues, it can negotiate cyberspace
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Item type Current library Collection Call number URL Status Date due Barcode Item holds
e-book e-book KNCHR Library SharePoint Non-Fiction K1420.5 .S48 2006 (Browse shelf(Opens below)) Link to resource Available
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Includes bibliographical references (p. 328-346) and index.

Table of cases; Table of statutes; Table of abbreviations and archive sources; 1. Introduction; 2. International copyright: four interconnected histories; 3. Towards the Berne Union; 4. Colonial challenges; 5. The independence of America; 6. Domestic problems; 7. The colours of cyberspace


Technological developments have shaped copyright law's development, and now the prospect of endless, effortless digital copying poses a significant challenge to modern copyright law. Many complain that copyright protection has burgeoned wildly, far beyond its original boundaries. Some have questioned whether copyright can survive the digital age. From a historical perspective, however, many of these 'new' challenges are simply fresh presentations of familiar dilemmas. This book explores the history of international copyright law, and looks at how this history is relevant today. It focuses on international copyright during the nineteenth century, as it affected Europe, the British colonies (particularly Canada), America, and the UK. As we consider the reform of modern copyright law, nineteenth-century experiences offer highly relevant empirical evidence. Copyright law has proved itself robust and flexible over several centuries. If directed with vision, Seville argues, it can negotiate cyberspace

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